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Loved each and every part of this book. I will definitely recommend this book to fiction, childrens lovers. Your Rating:. Your Comment:. Read Online Download. John, Rebecca "Becky" category: fiction, childrens, classics, young adult, historical, historical fiction, historical, childrens, middle grade, literature, childrens, juvenile, european literature, british literature Formats: ePUB Android , audible mp3, audiobook and kindle.

Miss Minchin, in her grandest silk dress, led her by the hand. A manservant followed, carrying the box containing the Last Doll, a housemaid carried a second box, and Becky brought up the rear, carrying a third and wearing a clean apron and a new cap. Sara would have much preferred to enter in the usual way, but Miss Minchin had sent for her, and, after an interview in her private sitting room, had expressed her wishes.

So Sara was led grandly in and felt shy when, on her entry, the big girls stared at her and touched each other's elbows, and the little ones began to squirm joyously in their seats. Emma, put yours upon a chair. Becky had quite forgotten herself in her excitement, and was grinning at Lottie, who was wriggling with rapturous expectation.

She almost dropped her box, the disapproving voice so startled her, and her frightened, bobbing curtsy of apology was so funny that Lavinia and Jessie tittered. Put your box down. Becky stepped aside respectfully to allow the superior servants to pass out first. She could not help casting a longing glance at the box on the table.

Something made of blue satin was peeping from between the folds of tissue paper. It was a bold thing to do. Miss Minchin was betrayed into something like a slight jump. Then she put her eyeglass up, and gazed at her show pupil disturbedly.

Scullery maids—er—are not little girls. It really had not occurred to her to think of them in that light. Scullery maids were machines who carried coal scuttles and made fires. Please let her stay—because it is my birthday. Rebecca, thank Miss Sara for her great kindness.

Becky had been backing into the corner, twisting the hem of her apron in delighted suspense. She came forward, bobbing curtsies, but between Sara's eyes and her own there passed a gleam of friendly understanding, while her words tumbled over each other.

I'm that grateful, miss! I did want to see the doll, miss, that I did. Thank you, miss. And thank you, ma'am,"—turning and making an alarmed bob to Miss Minchin—"for letting me take the liberty. Miss Minchin waved her hand again—this time it was in the direction of the corner near the door. Becky went to her place, grinning. She did not care where she was sent, so that she might have the luck of being inside the room, instead of being downstairs in the scullery, while these delights were going on.

She did not even mind when Miss Minchin cleared her throat ominously and spoke again. Sara felt rather uncomfortable. As this was her party, it was probable that the speech was about her. It is not agreeable to stand in a schoolroom and have a speech made about you. When she is older she will be heiress to a large fortune, which it will be her duty to spend in a meritorious manner. Sara did not hear her; but as she stood with her green-gray eyes fixed steadily on Miss Minchin, she felt herself growing rather hot.

When Miss Minchin talked about money, she felt somehow that she always hated her—and, of course, it was disrespectful to hate grown-up people. Her French and her dancing are a credit to the seminary. Her manners—which have caused you to call her Princess Sara—are perfect. Her amiability she exhibits by giving you this afternoon's party. I hope you appreciate her generosity. I wish you to express your appreciation of it by saying aloud all together, 'Thank you, Sara!

Sara looked rather shy for a moment. She made a curtsy—and it was a very nice one. Lavinia"—scathingly—"the sound you just made was extremely like a snort. If you are jealous of your fellow-pupil, I beg you will express your feelings in some more lady-like manner.

Now I will leave you to enjoy yourselves. The instant she had swept out of the room the spell her presence always had upon them was broken.

The door had scarcely closed before every seat was empty. The little girls jumped or tumbled out of theirs; the older ones wasted no time in deserting theirs. There was a rush toward the boxes. Sara had bent over one of them with a delighted face. Don't open them, Sara. When she took out the Last Doll it was so magnificent that the children uttered delighted groans of joy, and actually drew back to gaze at it in breathless rapture.

She sat down upon the floor and turned the key. The children crowded clamoring around her, as she lifted tray after tray and revealed their contents. Never had the schoolroom been in such an uproar. There were lace collars and silk stockings and handkerchiefs; there was a jewel case containing a necklace and a tiara which looked quite as if they were made of real diamonds; there was a long sealskin and muff, there were ball dresses and walking dresses and visiting dresses; there were hats and tea gowns and fans.

Even Lavinia and Jessie forgot that they were too elderly to care for dolls, and uttered exclamations of delight and caught up things to look at them.

There is nothing so nice as supposing. It's almost like being a fairy. If you suppose anything hard enough it seems as if it were real. But it mightn't be easy. She often thought afterward how strange it was that just as she had finished saying this—just at that very moment—Miss Amelia came into the room.

Barrow, has called to see Miss Minchin, and, as she must talk to him alone and the refreshments are laid in her parlor, you had all better come and have your feast now, so that my sister can have her interview here in the schoolroom. Refreshments were not likely to be disdained at any hour, and many pairs of eyes gleamed. Miss Amelia arranged the procession into decorum, and then, with Sara at her side heading it, she led it away, leaving the Last Doll sitting upon a chair with the glories of her wardrobe scattered about her; dresses and coats hung upon chair backs, piles of lace-frilled petticoats lying upon their seats.

Becky, who was not expected to partake of refreshments, had the indiscretion to linger a moment to look at these beauties—it really was an indiscretion. Miss Minchin came into the room, accompanied by a sharp-featured, dry little gentleman, who looked rather disturbed.

Miss Minchin herself also looked rather disturbed, it must be admitted, and she gazed at the dry little gentleman with an irritated and puzzled expression. Barrow did not sit down at once. His attention seemed attracted by the Last Doll and the things which surrounded her. He settled his eyeglasses and looked at them in nervous disapproval.

The Last Doll herself did not seem to mind this in the least. She merely sat upright and returned his gaze indifferently. Barrow remarked succinctly. He spent money lavishly enough, that young man. Miss Minchin felt offended. This seemed to be a disparagement of her best patron and was a liberty. Barrow in the same critical manner, "to a child eleven years old! Mad extravagance, I call it. Barrow wheeled round upon her.

Never were! Barrow, quite snappishly, "it would have been much better if there never had been any. The late Captain Crewe—". You don't come to tell me that Captain Crewe is—". Barrow answered with jerky brusqueness. The jungle fever might not have killed him if he had not been driven mad by the business troubles, and the business troubles might not have put an end to him if the jungle fever had not assisted. Captain Crewe is dead! That young man had too much money. The dear friend was mad on the subject of the diamond mine.

He put all his own money into it, and all Captain Crewe's. Then the dear friend ran away—Captain Crewe was already stricken with fever when the news came. The shock was too much for him.

He died delirious, raving about his little girl—and didn't leave a penny. Now Miss Minchin understood, and never had she received such a blow in her life. Her show pupil, her show patron, swept away from the Select Seminary at one blow. She felt as if she had been outraged and robbed, and that Captain Crewe and Sara and Mr. Barrow were equally to blame. That Sara will have no fortune! That the child is a beggar! That she is left on my hands a little pauper instead of an heiress?

Barrow was a shrewd businessman, and felt it as well to make his own freedom from responsibility quite clear without any delay. Miss Minchin started forward. She looked as if she was going to open the door and rush out of the room to stop the festivities going on joyfully and rather noisily that moment over the refreshments.

Barrow, calmly. There never was a cleaner sweep made of a man's fortune. Captain Crewe died without paying OUR last bill—and it was a big one. Miss Minchin turned back from the door in increased indignation. This was worse than anyone could have dreamed of its being. I paid the bills for that ridiculous doll and her ridiculous fantastic wardrobe. The child was to have anything she wanted. She has a carriage and a pony and a maid, and I've paid for all of them since the last cheque came.

Barrow evidently did not intend to remain to listen to the story of Miss Minchin's grievances after he had made the position of his firm clear and related the mere dry facts. He did not feel any particular sympathy for irate keepers of boarding schools. No one will remember you.

She hasn't a brass farthing to call her own. Barrow, folding up his eyeglasses and slipping them into his pocket. The child is left a pauper. Nobody is responsible for her but you.

Very sorry the thing has happened, of course. If she had not been so furious, she would have been too discreet to say quite so much. She saw herself burdened with an extravagantly brought-up child whom she had always resented, and she lost all self-control. Unpleasant story to get about in connection with the establishment.

Pupil bundled out penniless and without friends. He was a clever business man, and he knew what he was saying. He also knew that Miss Minchin was a business woman, and would be shrewd enough to see the truth. She could not afford to do a thing which would make people speak of her as cruel and hard-hearted. You can get a good deal out of her as she grows older.

Barrow, with a little sinister smile. Good morning! He bowed himself out and closed the door, and it must be confessed that Miss Minchin stood for a few moments and glared at it.

What he had said was quite true. She knew it. She had absolutely no redress. Her show pupil had melted into nothingness, leaving only a friendless, beggared little girl. Such money as she herself had advanced was lost and could not be regained. And as she stood there breathless under her sense of injury, there fell upon her ears a burst of gay voices from her own sacred room, which had actually been given up to the feast.

She could at least stop this. But as she started toward the door it was opened by Miss Amelia, who, when she caught sight of the changed, angry face, fell back a step in alarm. She has only the old black velvet, and she has outgrown it. She has done with finery! That spoiled, pampered, fanciful child is left a pauper on my hands. And I shall never see a penny of it. Put a stop to this ridiculous party of hers. Go and make her change her frock at once.

Poor Miss Amelia was accustomed to being called a goose. She knew, in fact, that she was rather a goose, and that it was left to geese to do a great many disagreeable things.

It was a somewhat embarrassing thing to go into the midst of a room full of delighted children, and tell the giver of the feast that she had suddenly been transformed into a little beggar, and must go upstairs and put on an old black frock which was too small for her. But the thing must be done.

This was evidently not the time when questions might be asked. She rubbed her eyes with her handkerchief until they looked quite red. After which she got up and went out of the room, without venturing to say another word. When her older sister looked and spoke as she had done just now, the wisest course to pursue was to obey orders without any comment.

Miss Minchin walked across the room. She spoke to herself aloud without knowing that she was doing it. During the last year the story of the diamond mines had suggested all sorts of possibilities to her.

Even proprietors of seminaries might make fortunes in stocks, with the aid of owners of mines. And now, instead of looking forward to gains, she was left to look back upon losses. The loud, sobbing sniff was heard again, and she stooped and raised the hanging folds of the table cover. It was poor Becky who crawled out, and her cap was knocked on one side, and her face was red with repressed crying.

But I was lookin' at the doll, mum—an' I was frightened when you come in—an' slipped under the table. But I didn't listen, mum—I wouldn't for nothin'. But I couldn't help hearin'. Suddenly it seemed almost as if she lost all fear of the awful lady before her. She burst into fresh tears. If—if, oh please, would you let me wait on her after I've done my pots an' kettles? I'd do 'em that quick—if you'd let me wait on her now she's poor. Oh," breaking out afresh, "poor little Miss Sara, mum—that was called a princess.

Somehow, she made Miss Minchin feel more angry than ever. That the very scullery maid should range herself on the side of this child—whom she realized more fully than ever that she had never liked—was too much.

She actually stamped her foot. Leave the room this instant, or you'll leave your place. Becky threw her apron over her head and fled. She ran out of the room and down the steps into the scullery, and there she sat down among her pots and kettles, and wept as if her heart would break.

Miss Minchin had never looked quite so still and hard as she did when Sara came to her, a few hours later, in response to a message she had sent her. Even by that time it seemed to Sara as if the birthday party had either been a dream or a thing which had happened years ago, and had happened in the life of quite another little girl. Every sign of the festivities had been swept away; the holly had been removed from the schoolroom walls, and the forms and desks put back into their places.

Miss Minchin's sitting room looked as it always did—all traces of the feast were gone, and Miss Minchin had resumed her usual dress. The pupils had been ordered to lay aside their party frocks; and this having been done, they had returned to the schoolroom and huddled together in groups, whispering and talking excitedly.

She has actually made no fuss at all. You remember she made none when Captain Crewe went back to India. When I told her what had happened, she just stood quite still and looked at me without making a sound. Her eyes seemed to get bigger and bigger, and she went quite pale.

When I had finished, she still stood staring for a few seconds, and then her chin began to shake, and she turned round and ran out of the room and upstairs. Several of the other children began to cry, but she did not seem to hear them or to be alive to anything but just what I was saying. Nobody but Sara herself ever knew what had happened in her room after she had run upstairs and locked her door. In fact, she herself scarcely remembered anything but that she walked up and down, saying over and over again to herself in a voice which did not seem her own, "My papa is dead!

My papa is dead! Once she stopped before Emily, who sat watching her from her chair, and cried out wildly, "Emily! Do you hear? Do you hear—papa is dead? He is dead in India—thousands of miles away. When she came into Miss Minchin's sitting room in answer to her summons, her face was white and her eyes had dark rings around them. Her mouth was set as if she did not wish it to reveal what she had suffered and was suffering.

She did not look in the least like the rose-colored butterfly child who had flown about from one of her treasures to the other in the decorated schoolroom. She looked instead a strange, desolate, almost grotesque little figure. She had put on, without Mariette's help, the cast-aside black-velvet frock.

It was too short and tight, and her slender legs looked long and thin, showing themselves from beneath the brief skirt. As she had not found a piece of black ribbon, her short, thick, black hair tumbled loosely about her face and contrasted strongly with its pallor. She held Emily tightly in one arm, and Emily was swathed in a piece of black material. She had always made Miss Minchin feel secretly uncomfortable, and she did so now.

She did not speak with rudeness so much as with a cold steadiness with which Miss Minchin felt it difficult to cope—perhaps because she knew she was doing a heartless and inhuman thing. I tell you that you are quite alone in the world, and have no one to do anything for you, unless I choose to keep you here out of charity.

Everything you own is mine. If she had cried and sobbed and seemed frightened, Miss Minchin might almost have had more patience with her. She was a woman who liked to domineer and feel her power, and as she looked at Sara's pale little steadfast face and heard her proud little voice, she quite felt as if her might was being set at naught.

You are not a princess any longer. Your carriage and your pony will be sent away—your maid will be dismissed. You will wear your oldest and plainest clothes—your extravagant ones are no longer suited to your station.

You are like Becky—you must work for your living. If you make yourself useful I may let you stay here. You speak French well, and you can help with the younger children.

I know I can teach them. I like them, and they like me. You will run errands and help in the kitchen as well as in the schoolroom. If you don't please me, you will be sent away. Remember that. Now go. Sara stood still just a moment, looking at her. In her young soul, she was thinking deep and strange things. Then she turned to leave the room. Sara made two or three steps toward her. Her thin little chest heaved up and down, and she spoke in a strange un-childishly fierce way.

She went up the stairs slowly, but panting for breath and she held Emily tightly against her side. She meant to go to her room and lie down on the tiger-skin, with her cheek upon the great cat's head, and look into the fire and think and think and think.

But just before she reached the landing Miss Amelia came out of the door and closed it behind her, and stood before it, looking nervous and awkward. The truth was that she felt secretly ashamed of the thing she had been ordered to do. Somehow, all at once, Sara understood. She realized that this was the beginning of the change Miss Minchin had spoken of.

Sara knew where it was. Becky had told her about it. She turned, and mounted up two flights of stairs. The last one was narrow, and covered with shabby strips of old carpet. She felt as if she were walking away and leaving far behind her the world in which that other child, who no longer seemed herself, had lived. This child, in her short, tight old frock, climbing the stairs to the attic, was quite a different creature. When she reached the attic door and opened it, her heart gave a dreary little thump.

Then she shut the door and stood against it and looked about her. Yes, this was another world. The room had a slanting roof and was whitewashed. The whitewash was dingy and had fallen off in places.

There was a rusty grate, an old iron bedstead, and a hard bed covered with a faded coverlet. Some pieces of furniture too much worn to be used downstairs had been sent up. Under the skylight in the roof, which showed nothing but an oblong piece of dull gray sky, there stood an old battered red footstool. Sara went to it and sat down. She seldom cried. She did not cry now. She laid Emily across her knees and put her face down upon her and her arms around her, and sat there, her little black head resting on the black draperies, not saying one word, not making one sound.

And as she sat in this silence there came a low tap at the door—such a low, humble one that she did not at first hear it, and, indeed, was not roused until the door was timidly pushed open and a poor tear-smeared face appeared peeping round it.

It was Becky's face, and Becky had been crying furtively for hours and rubbing her eyes with her kitchen apron until she looked strange indeed. Sara lifted her head and looked at her. She tried to begin a smile, and somehow she could not. Suddenly—and it was all through the loving mournfulness of Becky's streaming eyes—her face looked more like a child's not so much too old for her years. She held out her hand and gave a little sob.

You see how true it is. There's no difference now. I'm not a princess anymore. Becky ran to her and caught her hand, and hugged it to her breast, kneeling beside her and sobbing with love and pain. The first night she spent in her attic was a thing Sara never forgot. During its passing she lived through a wild, unchildlike woe of which she never spoke to anyone about her. There was no one who would have understood. It was, indeed, well for her that as she lay awake in the darkness her mind was forcibly distracted, now and then, by the strangeness of her surroundings.

It was, perhaps, well for her that she was reminded by her small body of material things. If this had not been so, the anguish of her young mind might have been too great for a child to bear. But, really, while the night was passing she scarcely knew that she had a body at all or remembered any other thing than one.

It was not until long afterward that she realized that her bed had been so hard that she turned over and over in it to find a place to rest, that the darkness seemed more intense than any she had ever known, and that the wind howled over the roof among the chimneys like something which wailed aloud. Then there was something worse. This was certain scufflings and scratchings and squeakings in the walls and behind the skirting boards. She knew what they meant, because Becky had described them.

They meant rats and mice who were either fighting with each other or playing together. Once or twice she even heard sharp-toed feet scurrying across the floor, and she remembered in those after days, when she recalled things, that when first she heard them she started up in bed and sat trembling, and when she lay down again covered her head with the bedclothes.

Mariette had left the house the next morning. The glimpse Sara caught of her sitting room, as she passed its open door, showed her that everything had been changed. Her ornaments and luxuries had been removed, and a bed had been placed in a corner to transform it into a new pupil's bedroom. When she went down to breakfast she saw that her seat at Miss Minchin's side was occupied by Lavinia, and Miss Minchin spoke to her coldly.

You must keep them quiet, and see that they behave well and do not waste their food. You ought to have been down earlier. Lottie has already upset her tea. That was the beginning, and from day to day the duties given to her were added to. She taught the younger children French and heard their other lessons, and these were the least of her labors.

It was found that she could be made use of in numberless directions. She could be sent on errands at any time and in all weathers. She could be told to do things other people neglected. The cook and the housemaids took their tone from Miss Minchin, and rather enjoyed ordering about the "young one" who had been made so much fuss over for so long.

They were not servants of the best class, and had neither good manners nor good tempers, and it was frequently convenient to have at hand someone on whom blame could be laid. During the first month or two, Sara thought that her willingness to do things as well as she could, and her silence under reproof, might soften those who drove her so hard. In her proud little heart she wanted them to see that she was trying to earn her living and not accepting charity. But the time came when she saw that no one was softened at all; and the more willing she was to do as she was told, the more domineering and exacting careless housemaids became, and the more ready a scolding cook was to blame her.

If she had been older, Miss Minchin would have given her the bigger girls to teach and saved money by dismissing an instructress; but while she remained and looked like a child, she could be made more useful as a sort of little superior errand girl and maid of all work.

An ordinary errand boy would not have been so clever and reliable. Sara could be trusted with difficult commissions and complicated messages. She could even go and pay bills, and she combined with this the ability to dust a room well and to set things in order.

Her own lessons became things of the past. She was taught nothing, and only after long and busy days spent in running here and there at everybody's orders was she grudgingly allowed to go into the deserted schoolroom, with a pile of old books, and study alone at night. One of the most curious things in her new existence was her changed position among the pupils. Instead of being a sort of small royal personage among them, she no longer seemed to be one of their number at all.

She was kept so constantly at work that she scarcely ever had an opportunity of speaking to any of them, and she could not avoid seeing that Miss Minchin preferred that she should live a life apart from that of the occupants of the schoolroom. It is better that she should live a separate life—one suited to her circumstances. I am giving her a home, and that is more than she has any right to expect from me.

Sara did not expect much, and was far too proud to try to continue to be intimate with girls who evidently felt rather awkward and uncertain about her.

The fact was that Miss Minchin's pupils were a set of dull, matter-of-fact young people. They were accustomed to being rich and comfortable, and as Sara's frocks grew shorter and shabbier and queerer-looking, and it became an established fact that she wore shoes with holes in them and was sent out to buy groceries and carry them through the streets in a basket on her arm when the cook wanted them in a hurry, they felt rather as if, when they spoke to her, they were addressing an under servant.

And she's queerer than ever. I never liked her much, but I can't bear that way she has now of looking at people without speaking—just as if she was finding them out. I like to know about them. I think them over afterward.

The truth was that she had saved herself annoyance several times by keeping her eye on Lavinia, who was quite ready to make mischief, and would have been rather pleased to have made it for the ex-show pupil.

Sara never made any mischief herself, or interfered with anyone. She worked like a drudge; she tramped through the wet streets, carrying parcels and baskets; she labored with the childish inattention of the little ones' French lessons; as she became shabbier and more forlorn-looking, she was told that she had better take her meals downstairs; she was treated as if she was nobody's concern, and her heart grew proud and sore, but she never told anyone what she felt.

But there were hours when her child heart might almost have broken with loneliness but for three people. The first, it must be owned, was Becky—just Becky. Throughout all that first night spent in the garret, she had felt a vague comfort in knowing that on the other side of the wall in which the rats scuffled and squeaked there was another young human creature. And during the nights that followed the sense of comfort grew. They had little chance to speak to each other during the day.

Each had her own tasks to perform, and any attempt at conversation would have been regarded as a tendency to loiter and lose time. Some un'd be down on us if I did. But before daybreak she used to slip into Sara's attic and button her dress and give her such help as she required before she went downstairs to light the kitchen fire. And when night came Sara always heard the humble knock at her door which meant that her handmaid was ready to help her again if she was needed. During the first weeks of her grief Sara felt as if she were too stupefied to talk, so it happened that some time passed before they saw each other much or exchanged visits.

Becky's heart told her that it was best that people in trouble should be left alone. The second of the trio of comforters was Ermengarde, but odd things happened before Ermengarde found her place. When Sara's mind seemed to awaken again to the life about her, she realized that she had forgotten that an Ermengarde lived in the world.

The two had always been friends, but Sara had felt as if she were years the older. It could not be contested that Ermengarde was as dull as she was affectionate. She clung to Sara in a simple, helpless way; she brought her lessons to her that she might be helped; she listened to her every word and besieged her with requests for stories.

But she had nothing interesting to say herself, and she loathed books of every description. She was, in fact, not a person one would remember when one was caught in the storm of a great trouble, and Sara forgot her. It had been all the easier to forget her because she had been suddenly called home for a few weeks. When she came back she did not see Sara for a day or two, and when she met her for the first time she encountered her coming down a corridor with her arms full of garments which were to be taken downstairs to be mended.

Sara herself had already been taught to mend them. She looked pale and unlike herself, and she was attired in the queer, outgrown frock whose shortness showed so much thin black leg. Ermengarde was too slow a girl to be equal to such a situation. She could not think of anything to say. She knew what had happened, but, somehow, she had never imagined Sara could look like this—so odd and poor and almost like a servant.

It made her quite miserable, and she could do nothing but break into a short hysterical laugh and exclaim—aimlessly and as if without any meaning, "Oh, Sara, is that you? The buttons below are set in British Pounds currency - click here if you would prefer to donate in USD.

Once on a dark winter's day, when the yellow fog hung so thick and heavy in the streets of London that the lamps were lighted and the shop windows blazed with gas as they do at night, an odd-looking little girl sat in a cab with her father and was driven rather slowly through the big thoroughfares. She sat with her feet tucked under her, and leaned against her father, who held her in his arm, as she stared out of the window at the passing people with a queer old-fashioned thoughtfulness in her big eyes.

She was such a little girl that one did not expect to see such a look on her small face. It would have been an old look for a child of twelve, and Sara Crewe was only seven.

The fact was, however, that she was always dreaming and thinking odd things and could not herself remember any time when she had not been thinking things about grown-up people and the world they belonged to. She felt as if she had lived a long, long time. At this moment she was remembering the voyage she had just made from Bombay with her father, Captain Crewe. She was thinking of the big ship, of the Lascars passing silently to and fro on it, of the children playing about on the hot deck, and of some young officers' wives who used to try to make her talk to them and laugh at the things she said.

Principally, she was thinking of what a queer thing it was that at one time one was in India in the blazing sun, and then in the middle of the ocean, and then driving in a strange vehicle through strange streets where the day was as dark as the night. She found this so puzzling that she moved closer to her father. We have reached it at last. It seemed to her many years since he had begun to prepare her mind for "the place," as she always called it.

Her mother had died when she was born, so she had never known or missed her.



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